<title>
Cytara
</title>
<entry>
<id>
tag:blogger.com,1999:blog-9140346522957060448.post-572417763860502918
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POST
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LIVE
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<author>
<name>
Cytara
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<uri>
https://www.fashion.at/karinsawetz
</uri>
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BLOGGER
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<title>
Playing on thin or thick ice?
</title>
<content type=
"html">
By Fashionoffice's publisher Karin Sawetz
Two days ago, US Americans inaugurated their new president;
in four days, the Austrians will swear their new president into the
responsibility to work for the country's people. So far, the job description of
both is the same. Only, such as everybody knows, that's not easy to change the behavior
from one day or during several months. But their behavior was even the
reason why these two presidents had received the votes.
fig.: The image was captured yesterday on the frozen lake Neusiedl nearby Vienna.
After the election
isn't before the election, political fight-speeches shouldn't replace proper
political discourses – the last mentioned duty is what for the people are paying the presidents and their
colleagues (ministers, counselors,...). And they are paying these high salaries despite many of the countries'
citizens (US and Austria) are so poor that they have only the minimum of
medical care - which means for example in Austria that patients are lying in
their beds quasi in the public in the corridors of hospitals or have to wait
several months for a medical appointment when arranged via insurance. The
insurance isn't free of costs in Austria. It's so expensive that some small
entrepreneurs can't afford the monthly outgoings so that they aren't insured.
And the small entrepreneur scene has grown during the last years which is on the one
hand a good sign as the economy receives new impulses. But realistically it has
to be mentioned that many became company owners because they had lost their jobs or
the 'employee contract' and deliver the services now under a new contract: the 'work
contract'. In journalism, this way of working is common since many years. In Austria,
only few journalists are employed. The most deliver their reports to
publishers who pay them after a mix consisting of the outlays for the making of
(research of a theme, production of videos, photos, interviews, inclusively
travel expenses, hotel recipes, styling of the presenter,...), remuneration of the creative work (composing the report,
writing the text, selecting images, cutting one or more videos, choosing
underlying music,...), and fees for the usage of the editorial work (with all media like text, sound like music or spoken text, images, video) by the publisher (usage is
measured after the official data of circulation - either number of produced copies or number of readers, viewers, users). Even when these calculations sound like classical
profit-orientated business activities, journalism should never be
profit-orientated (which doesn't exclude that a journalist has to work
revenue-orientated). It's literally a 'balancing act' - and all that played on
ice which should become after the will of some politicians thin and thinner. The general accusation that all media workers break the law by telling the untruth
isn't fair. But how life plays; I think these prejudices have already thickened the ice under the feet of
journalists who are truth-hunters. Perhaps these accusations have initiated the long awaited positive change in media!
</content>
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2017-01-22T09:17:00.002Z
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POST
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LIVE
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Cytara
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<uri>
https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
"A New Beginning", part 5 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
</title>
<content type=
"html">
"A New Beginning"
Part 5 of the series "After The Pandemic. A Fictional Story"
by Karin Sawetz
"I'm not better than corrupt systems. Yes, Sarah the stories you've heard are true. But the first step wasn't set by me," corrects grandmother Naomi with a wink in her eyes the story, "I was polite and responded appropriately."
"You had no choice. The situation was provocative not only in your case," explains Joyce the story of Naomi to her daughter Sarah. "There were millions of people thrown into circumstances which heated up the civil war arenas on streets worldwide and in the cyber world. The outbreak of a revolution was how it's said in German 'aufgelegt' or with other words: People saw it coming. The real fire starters were the corrupt justice and police systems. The most peaceful people were pissed off at the naughtiness of the state administration," Joyce stands up and goes to the kitchen. "Can I open the bottle?" Naomi heads over, "Oh, yes it's the Merlot. I take a glass too. It will be a long night. I don' t know when they'll arrive exactly."
Sarah listened carefully to the stories about the past told by her mother and grandmother. She felt like she was kept at a distance from the truth about a movement which has changed the world. "I can see no strategy behind the beginning of the revolution. It seems to me more as an answer to the criminal activities of the police and the failure of the justice system. Your role, grandma, is defined by your special talent to come in the right moment unpredictably into action. I think the unplanned surprises or better the 'no strategy' strategy made this revolution so successful."
"You've learned your lesson," jokes Joyce while making herself comfortable in the winter garden armchair. "I hope Demian and Emil don't follow the same 'no strategy' motto. From where did they enter the earth's atmosphere?"
"I'm not sure where the wormhole opened this time." Naomi asks the non-visible house assistant. "Germo, where and when opened the latest transfer wormhole? Locate the shuttle of my grandson and son." Germo the assistant speaks English with German accent taken from the voice of Sarah's German teacher who spent some time at Naomi's house; for Sarah's native English speaker ears pure torture. "Naomi, the latest transfer wormhole opened two days ago at the Neowise shuttle station in a distance of 23.000 kilometres above Europe. The two are currently on their flight to earth and will land according to the shuttle in around three hours right in the garden."
"Neowise - what a name for a spacecraft station!" says Sarah with German accent imitating Germo and the assistant's slightly derogatory tone.
Naomi continues her story about the pandemic in July 2020 and the Neowise comet. "It was a new beginning."
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2020-07-09T13:08:00.001Z
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2022-02-13T16:01:01.397Z
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<entry>
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tag:blogger.com,1999:blog-9140346522957060448.post-1140347381295107406
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LIVE
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Cytara
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https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
Austrian specialties and the country's presidential election on 4th December
</title>
<content type=
"html">
By Fashionoffice's publisher Karin Sawetz
Since the last two weeks not only winter markets with mainly regional specialties have popped up all around the country; Austrian specialties are a theme after the people had become more and more concerned about the influences of other countries' politics on them and how Austrian politicians will represent national interests in today's world which has been shaken up (latest events: Brexit, Trump). The whole world is in a tightly woven net of contracts and agreements - if it's about trade or the collaboration of the military. Even Austria as relatively small country has its positions and specialties like in the case of military: Austria is neutral and follows the duty to help but doesn't join war operations.

The thoughts about the self-image of Austrians have been reinforced by the upcoming presidential election on 4 December. The two candidates can't be compared to the US candidates nor is one of them similar to the recently elected new US president. Austria can't be compared at all with the United States. Austria has a completely different situation (begins with the geography, neighboring nations) and absolutely other problems which can be discussed by the candidates - as far as they do that in the ongoing race in front of TV cameras, in interviews with journalists, experts as well as through their social media channels. People need once more a president who can be trusted and works for the citizens. Currently, the question is who of the two candidates will fulfill these demands best. The results of opinion polls show perhaps the one or the other as the citizens' favored president - but who believes these results any longer? People also know that decisions after emotions or populist answers to difficult questions are campaigning strategies which seem rather blending out reality than enlightening minds for finding solutions for a better future. And even blaming the other to be a populist can be part of a strategy. Around two weeks are left for listening closely the arguments of the candidates for their standpoints. These arguments have to be weight into the decision before the cross is made beside the name of the possible next Austrian president who will have a historical responsibility in challenging times.
fig.: The image was captured at a voting booth on 22 May 2016. The result of the 1st presidential election was declared as invalid - caused by administrative irregularities. On 4th December, the Austrians will vote for the second time for their new president. I will give my vote to the one who offers the best recipes for smart structures for a fair, multifaceted society in a secure country. It won't be easy making up my opinion for setting the cross.
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2016-11-20T17:10:25.021Z
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2016-11-20T17:39:00.001Z
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2016-11-21T08:00:38.582Z
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/2016/11/austrian-specialties-and-countrys.html
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</enclosure>
</entry>
<entry>
<id>
tag:blogger.com,1999:blog-9140346522957060448.post-1275627116443444180
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POST
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LIVE
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<name>
Cytara
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https://www.fashion.at/karinsawetz
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BLOGGER
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</author>
<title>
"Have old power structures caused the bugs in the AI?", part 13 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
</title>
<content type=
"html">
"What happened after the pandemic? Was there a point in time that the pandemic was officially over? Or were the people so exhausted or so occupied with their 'burn out' - such as it was fashion at that time I learned in the history lessons - due the inflation and the war sceneries in Europe and Asia that they didn't adequately appreciate the end of the health crisis? It was such an effort to develop the medications and organize and to comply with all the protection measures. Was it an unsung end after all the achievements of the people, the health system and the sciences?"
Joyce listened to her daughter Sarah and remembered last year's family meeting during Christmas time. "Last year you wanted to know if the data about grandmother Naomi collected during the pandemic are still available. And Snowball with its special access level to data answered you the question."
Sarah throws the orange gum ball to Sweetie. The German shepherd jumps and catches the spiky toy and brings it to her. "And the dog still jumps like a sheep. You are a shepherd - not a sheep, Sweetie." The young woman crawls the dog's head with one hand, with the other she gestures for the dog to give her the ball. "And again Sweetie. Show me how to jump like a sheep!"
Joyce is annoyed like always when Sarah degrades her sharp trained guard dog.
Naomi comes back from the green house plantation. "I see; nothing has changed. It must be the ancestry. My family still makes fun with security systems."
"I've heard from Demian that there is a bug in the system. Is Snowball's AI affected by the bug?" Joyce uses the AI as an assistant for almost everything. The first time the especially for Joyce modeled AI was activated through a snow globe. After the activation, the AI began to communicate through almost every device near Joyce. It's not location bound.
"Currently I can't give you closer information about the bug because we are still analyzing damages which have already happened. The first damage occurred during space travel. Accidentally, your brother Demian was part of the mission. I have a suspicion but it's too early for accusations." Naomi raises her hand and waves - as if she wants to banish a bad thought.
"You can't stop the story when it becomes interesting. You know that this can change our society. This can throw us decades back!" Joyce is angry.
"And I think this is the motivation of the makers of the bug. We have to take into consideration that in the beginning of the usage of the digital era even more trustful organizations like for example the labor union weren't great fans of the online business. This does not mean that I suspect any of the organizations for the problems we detected now. But we have to remember what happened in these years and how the power structures looked like. For online journalists it was a hurdle run with many job-damaging accusations such as that the journalistic work is minor when it's published online than on paper. It seemed as if the labor union stood not for the labor of journalists but for the industry of paper processing and print. Funnily enough, it was actually one group: Media like magazine publishers were in one group with printing, communication and paper processing. Even the funding of journalistic work through the state reflected that view. Unfortunately, the conservative structures with the labor union and other organizations had such power that the AI models which were released for the public for the first time at the end of the pandemic were fed with information from sources of media which counted to the beneficiaries of the system. The same with the news sections on smartphones…"
Sarah "Oh, smartphones. That's great. Do you have an old one?"
Naomi wasn't unhappy about the granddaughter's interruption. She takes a cookie from the table and bites into the sweet vanilla-almond pastry so that the sugar-like applied vitamin crystals jump into the air and envelop the woman's face with a powder cloud.
"Wow. Grandma. You managed to get the vitamin crystals into sugar form!" Sarah takes a cookie and bites into it. The crystals bounce shimmering into the air and completely disappear after a short time. "How do they dissolve?" "They couple to the oxygen molecules and thus enrich the air."
Naomi stands up from the rattan armchair. She's still eating her cookie and says with her mouth full. "Here in this old commode I have some of the old smartphones." She takes a blue-metallic device with a large screen. "They were so unwieldy. But they were functionable! This one has an assistant which hasn't been updated since the early years of AI. It's connected with the AI archive we are using for our research. So let us try out to produce an image through AI." Naomi enters some letters. Sarah stands beside her grandma. "Is this your code to access the phone?" "Don't be so curious." Naomi turns away. "So let's see if the DALL-E AI from 2022 serves a classical New Year's pig in a glass bubble." Naomi commands the phone assistant. "It was so advanced already in the early years. Here it is - a cute picture in retro style. So nice to play with these phones. Let's apply the greeting 'Happy New Year 2023'!"
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2022-12-29T09:43:45.706Z
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<published>
2022-12-29T10:14:00.016Z
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<updated>
2022-12-29T12:34:30.447Z
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<entry>
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tag:blogger.com,1999:blog-9140346522957060448.post-1639821043028786976
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POST
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LIVE
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Cytara
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https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
The Fight for the Castle
</title>
<content type=
"html">
 |
fig.: The image shows me sitting at the tower of Habsburgwarte at the Hermannskogel with view over Vienna. |
by Karin Sawetz, publisher Fashionoffice
Currently, the rally for getting the people's votes at the legislative election on 15 October is in full speed. The political parties cook their own soups in different styles; the ones more stylish, the others more foul-mouthed. There is no difference between right or left when it comes to strong words and messages in the tradition of aggressive 'battle-cries' just as if the mission is to take the castle. And truly, it's literally the mission of the political parties to get the most votes at the legislative election to occupy the Hofburg, the former seat of the Habsburg monarchy where today Austria's chancellor resides. The chancellor is the country's most important political position. In Austria, the president has in contrary to the US - only for example, less political influence. Perhaps some are now interested in the Austrian system? Well, the chancellor is the position which links together - in collaboration with the vice chancellor - the various ministries; last mentioned vice chancellor is usually called by another party for keeping the power inside the state balanced. Sometimes, the power-balance order can prevent that the parties work successfully. This was the reason why the Austrians have to vote sooner than expected. The tax payers know that the team leaders of the ministries, the state's government couldn't work together. But do the tax payers know what the team has accomplished until yet and what they've never started to resolve?
The finished work is part of the political parties' campaigns. In times of legislative election campaigning, the Austrians receive daily the summaries of successful contracts, new laws and budget strategies of the last years. But what isn't mentioned by the political parties? And why are experts from special fields such as media or art so quiet? What are the themes the tax payer doesn't know about? Is it that topics like digital business or copyright are too intellectual for the uneducated average citizen?
But it's this uneducated everyman or everywoman who pays for example for artist exhibitions at La Biennale di Venezia. And the men and women don't pay little! The average citizen trusts the system to invest wisely into art - and even when this sounds now profane for some well-paid artists: the people trust that their money will maximize the state's budget through the art business for further investments such as into earthly necessities like children's education or health services.
So far it's easy to understand and now we are reaching the expert level which is in several fields a spooky quiet location in Austria such as the art, media, copyright field. Artists are supported by the tax payers as their art is seen as an investment. These paid artists distribute images of their works for public relations to journalists; but the images are carrying secretly a fee for the representation of the artists' works. Journalists can write about the work, but they can't show them without paying the fee. Isn't it perfidious to send somebody a picture for editorial use without a note that it must be paid for it? No, it's not a perfidy for some Austrian artists. It's common and legal; this is what the uneducated average Austrian pays for without knowing which art-media soup is cooked at his or her own democratically ruled castle.
Some of the questions for opening political parties the doors of the Hofburg should be: Who has really worked for transparent rules? Who supported during the last years in-transparent rules for the ones who work and live in Austria? And why are so many experts anxious to speak about legalized irregularities in their fields such as art or media?
And one question for the very specialized media experts: Is there a correlation between the above mentioned copyright law and power exercises in the Austrian media landscape? Could it be the case that the copyright law might be under circumstances part of the fight for the castle?
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2017-09-10T08:10:00Z
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2017-09-11T06:02:41.081Z
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Cytara
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<title>
"Searching for new planets", part 10 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
</title>
<content type=
"html">
"How time flies. Two weeks ago we sat here together and enjoyed the Valentine's flower bouquets and now Emil and Demian leave the planet again," says Naomi with bitterness in her voice, looking at grandson Emil and son Demian. The family met again in her house waiting together for the shuttle of the space station Neowise. From there in 23.000 kilometers height they will start the space flight to the next wormhole transfer point. A risky passage - even when the human-made wormhole transfer leads to better results nowadays than in the beginning. Some of the early passengers landed at undefined time and space coordinates because the systems on earth broke regularly. The technology had to be adjusted for the jump.
"Do you know which galaxy and time you will explore at your next jump?" Sarah asks her uncle and brother with a worried look in her eyes. "No, this is always top-secret, " Demian answers, "We still have the problem that some countries don't work in a team. Sometimes it seems as if human kind hadn't learned from wars. Nobody wins, everybody loses. Always the same. Also 'cold war'-spy games are unnecessary in our times. But sabotage, the cyber threat through hackers, the stealing of knowledge, the manipulation of data and research results for the economic pursuit of profit is still the same in our world like before the pandemic. We knew already before the 2020ies that the human race grows so fast that we have to migrate sooner or later to other planets. But in the 20s, the knowledge was for the first time so profound that the theory could be set into practice."
Joyce comes in, followed by her shepherd Sweetie. The dog trots with hanging head - such as if it knows that this meeting could be the last in this constellation. Sweetie finds its place at the feet of Demian, who was its original owner. He has chosen the dog from a litter offered by a breeder who specialized in watch dogs. Demian hasn't trained the dog like it was common for watch dogs. Demian's sister Joyce first took the people-friendly, emphatic dog only for some weeks and later when her brother served longer periods in space, Joyce became officially the owner.
Joyce looks critically at her brother: "Do you think that Neowise has enough control over the wormhole technology?" "We never know if we are hacked." "How did it start that the world drifted away from the peace route?" Sarah wanted to know. She is the youngest in the round and in an age when pieces of learned, experienced and supposed have to be put together. Naomi steps into the conversation as she was the only one who experienced the period in her lifetime. "It was a geopolitical dispute that should have been cleared diplomatically - and on both sides it could have been a win-win situation. But sometimes, people want war. They don't select the peaceful way even when it's easier. That's the way humans are. And the pandemic didn't change the world in this aspect. Demian, have you implemented the latest generation of AI for the detection of intrusions on your missions?" "Yes, but the problem with the latest AI is the time-space shift which interferes with logical programming. The basic structure works with the linearity known from earth."
The shuttle lands with a loud swoosh in the garden. "Noise canceling isn't such a new technology." Sarah remarks snippy. Naomi and Demian ignore Sarah's commentary - there is no time left for explanations why noise canceling is a minor problem for space shuttles. Naomi and Demian stand up and continue their conversation about AI. "Have you tried to re-program the linear to empathic-like routines? Perhaps the time-space shift can be bypassed and hacks can be observed more efficiently this way." They arrive at the loading flap of the shuttle. "Come back soon." Naomi hugs her son before he is boarding.
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2022-03-02T19:00:00.009Z
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2022-03-02T19:34:00.052Z
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Cytara
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<title>
What's good, what's evil?
</title>
<content type=
"html">
by Karin Sawetz, publisher Fashionoffice
Nowadays, it's better to use negative definitions to elaborate what's 'good'. Defining the 'evil' is much easier than finding signs of the good as its counterpart delivers in our days the best performance in the meaning of the biggest impact on society. So I try to work out one of the best and most perfidious signs of what makes evil so well performing: it's the strategy of letting others run through a maze as long as possible and change the design of the labyrinth in the moment the first have unveiled its structure. The best of the best directors of a good vs. evil dramaturgy involve the victim of the 1st chapter as offender in the second chapter which runs like a synchronized layer over the rabbit-warren-like knitted thread. When the first victim is branded as the origin of all evil - yes, then the master work is done perfectly and everybody is confused.
The Austrians are witnessing currently this strategy very well with some prominent players and it seems as if they won't unknot the authors' interlacing: the scenery plays on Facebook and the two most powerful political parties are the victims / offenders. The digital environment is an ideal place for maze constructions as the actual example proves once again. For the viewers it seems to be jinxed!
Austrians haven't only adopted Halloween from US; Austria's communication specialists acquired also dirty campaigning skills from America!
fig.: The image shows me at the booth of a witches' outfitter recently at a Middle Ages Festival in Vienna.
US Americans have collected already more experiences with such confusion-constructions for putting a sort of spell on the rival. Accusations concerning last year's manipulations of public opinion through fake news and investigations inclusively Facebook ads which could have influenced people's opinion by spreading wrong information in the favor of one party or candidate are the latest examples of political campaigning in US.
In the case of the Austrians' election campaign affair it's similar - nothing is definitely verified who did what. I think that nobody really believes that justice can work fast enough to make clear before the election day on 15 October what really happened on digital media against or for the candidates. Therefore, the court and the attorneys would even need data by Facebook. According to the statements of speakers of the respective political parties, it could last months until the court can begin to work. This means, the political parties or one political party - who knows? - have or has sent us all together into a maze of uncertainty. Facebook is only one piece of the dirty campaigning puzzle.
The politicians and the men and women who work for them belong to the elite of the country. We are trusting them so much that we give them our money (taxes), that we are outfitting them with the power to take care of our cultural treasures like artworks at museums or social and infrastructural achievements such as the health system or digital highways; we send our children to schools which are planned by politicians of parties who got the most votes! And now these elites show us their real faces; the faces of jokers, gamblers who calculate with the people's weakness caused by the loss of the believe in truth. It's a devilishly effect of an uncertain environment! But do the people haven't any other chance? What could they do? First, they can remain willingly players in the maze-power-play of political elites, their funding partners from the private business sector and public associations which depend on the one and/or other party. Or, people can become self-determined, trust again others who aren't playing a maze-game. And they can express this position with their votes!
Perhaps people will decide less fact-based on 15 October and intuition will become a driving force for making a cross? Who knows? I'm not a fortune-teller.
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LIVE
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Cytara
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https://www.fashion.at/karinsawetz
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"The Fruitti Seeds", part 11 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
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<content type=
"html">
Naomi's world just falls apart. The scientist has always believed in her abilities to estimate her work's impact on society and politics. How could it happen that she has overseen the scam?
Naomi is alone in her large mansion. It was built over decades on the ground and the foundation of a region-typical old farmer's house. She walks through the garden along the alley seamed with trees carrying various fruits. She named her invention for the creation of the special customizable artificial tree seeds 'Fruitti'. The tutti frutti 'Fruitti' seeds can be designed individually after preferences.
Each of the alley's neutral basic trees is equipped with nano-technology and can carry up to eleven different sorts of apples, cherries, or apricots, pears, etc. The trees in her garden are from the first generation of the Frutti seeds. They are programmed to grow in the trunk like an original apple tree from the region and to develop various fruit tree-typical branches. The seeds are set nowadays in gardens around the world and helped - with some special add-ons - regions with limited water resources to prosper again. Naomi stops at the oldest tree of the alley. She breaks a branch with cherries - and waits for the first signs of recovery activities. She thinks about the decades of her life invested in the realization of forward directed projects. Naomi spent only time in politics when governmental rules violated her privacy or endangered her work - a sort of self-defense. She smiles and tips with her fingers into the wound of the tree. The tree's artificial resin changes its color from light-yellow to gold. It still functions perfectly, whispers Naomi to herself with the satisfied voice of a scientist who observes a long-time experiment.
Politics isn't a thankful long-term experiment. Politicians come and go, political parties change their programs with the prospect of catching votes, governments act over the years they have the legislative power mainly very discreetly. She remembers that in her younger years fraud and the betrayal of trust destabilized society. Contracts with energy suppliers or rules for the calculation of electricity and gas prices were negotiated without prominent advertising campaigns but cost the citizens' safety and money, changed laws such as concerning the new calculation of formerly accepted years of insurance let people lose their right of pension and gained for the state budget money which was spread charity-like by the government back to the original owners.
But how could she have missed the fraud starting twenty years ago? Naomi is desperate since her son Demian sent the message about the recently detected long-time fraud. She thought security instances are protecting nowadays society from politicians of the 'old school'. She remembers the last time Demian was here in the garden and her tip to reprogram the AI for the space flight from linear to empathic-like routines to bypass the time-space shift. The re-programming revealed the underlying linear information built upon simple everyday strings. Simple like the basic of the Fruitti seeds. It's the syntactic constellation which counts. It's literally a 'tactical togetherness'.
Naomi has an idea. The elderly woman hurries to the organically driven server room at the greenhouse.
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POST
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LIVE
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Cytara
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BLOGGER
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<title>
A golem can consist of fruity earth or toxic shit
</title>
<content type=
"html">
'Dog Tales' series, 4th episode (1st episode - 2nd episode - 3rd episode)
By Fashionoffice's publisher Karin Sawetz
Marc Cabana appears in my dream like this strange creature once born nearby Vienna, in Prague. 'Golem' is the name of this creature and entered the colloquial language as expression for a dumb person.
fig.: The image shows me at the orangery at Schloss Hof in Austria nearby the border to Slovakia.
I ask him: "Are you a golem?"
Marc Cabana: "I don't know the word 'golem'."
"Aren't you Viennese?"
Marc Cabana: "I'm Viennese, but I've rarely contact with people whose families have Viennese or Austrian roots."
"A golem is a creature by a magician (in the original story by a religious man) and acts as an extension of the creator; a sort of double or willingness servant. Expressed with IT-language: it can be a positively acting bot or it can be a sort of malware on a zombie-computer - both can be programmed and even when the job is dirty, the hands of the programmer keep clean."
Marc Cabana's visual appearance changes; the fruity, earthy surface of his body begins to die like in a stop motion animation - hacked into single images - and transforms with softly moving pictures from decomposition to liquid shit which firms and becomes earth again.
Marc Cabana: "So it's not the golem who is good or evil?"
"No, such as in your case. You're only the vessel of the hidden activities of others. You're the one who has others' dirt on his hands when you act evil. And it isn't repulsive for you because you're made of the same material - dirt! Yes, really. I must say this now: you're actually a piece of shit. Take a look at you!! Disgusting!"
Marc Cabana stands there and a roll of shit grows out of the middle of his body.
I'm pointing at the developing shit-roll. "Don't you see. You're constantly producing more of you. Aren't you ashamed?"
MC: "I only do my job."
"This argument doesn't clean up your programmed evil character - at least not the shit-roll which has just fallen down here to the pedestrians' road - and you haven't even recognized it! Unbelievable! I'm happy that I'm only dreaming!"
MC: "And I'm happy that I've not too much to do with Viennese like you in reality." Marc Cabana looks at me with eyes which he rolls meaningful half under his lids. He spits on the sidewalk.
"Do you enjoy your appearance in my dreams?"
MC (smiles): "Yes."
"Do you know that our behaviour is built upon experiences. Do you know that even your spit on the pavement leaves a trace in my memory about me and you, about our relation? Are you aware that one impression after the other is building our consciousness and our senses are sharpened by them?"
MC (laughing): "Yes, I count on this mechanism."
"This is what I wanted to hear from you. I assumed this attitude before; that's the reason why I included you into my dreams where I'm the ruler. Reality happens in comparison to dreams rather linear. Sometimes dreams come true. Do you remember the last 'Dog Tales' story?"
MC (thoughtful): "Did it play in Venice? I like the name you gave me: Marc after Piazza San Marco and Cabana inspired by the pavilions at the Giardini. Actually, it had a lot to do with my real life. I don't feel integrated into this society here in Austria such as many of the people I'm working with."
"Is this the reason why you're trying to set vandalism acts against Austrians in the framework of the law?"
MC: "Probably."
"I will end the 'Dog Tales'-series with this short dream conversation. Now we both know the material you're made of - perhaps we'll meet again in my dreams but I can live without you. I'm sure in this point we're d'accord, aren't we!"
I begin to laugh over my whole face. My heart beats lightly, full of joy and instantly my soul feels so warm as if a heavenly sun shines on my chest.
"We have here in Austria in some months again a government election. I will keep an eye on you and the other golems in our administration."
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LIVE
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Cytara
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https://www.fashion.at/karinsawetz
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<title>
"What was going on in Austria in 2022?", part 12 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
</title>
<content type=
"html">
"Was it necessary to integrate Austrians in Austria? What happened at that time?" Sarah, the grandchild of Naomi, is concerned about the story her mother and uncle are discussing. Demian, the brother of her mother Joyce, was back after his space mission failed. The reason for the unplanned return to earth was the finding of a computer bug placed in a simple routine. So simple that it was built as standard in the most common applications and became essential for the functionality of everyday devices like kitchen machines to space ship navigation systems.
Naomi stands up from her comfortable fauteuil and walks to the window consisting of several panels with artful Gothic-like colorful glass paintings showing scenes from the revolution 70 years ago. As a young woman, she had joined the movement for a more equal society and believed to have decided well. "No, it was not necessary to integrate Austrians to Austria. But we had no time to observe all the institutions and some acted like wolves in sheeps' clothing. They appeared so honest and in line with the movement's values. We had no idea that they had developed a computer programme which was connected with the federal data center to select people for integration measures. The government collected data files about each single citizen. Regardless of whether the person comes from Austria or not. It was a big business to offer integration courses in times of migration waves and they made it even bigger with some additional variables. The algorithm wasn't arbitrary. The authors have calculated well to integrate especially those with low chances to be heard because their reputation had already been damaged or who could not raise their voices without further damaging their lives.
Getting the order to start integration measures was a sort of condemnation similar to a court verdict only without closer details about the crime. It was an official rebuke for breaking the rules of society. So people didn't talk about it, and when they did, they were convicted a second time because the integration algorithm targeted aspects of a biography that, had a case been made public, would have diminished the person's standing and status. The credibility dynamically went to zero."
The rays of the afternoon sun awakened almost imperceptibly the paintings of the window and the figures began to act like animated characters in a hand-painted documentary with historical scenes of the revolution. Naomi steps beside the window to give the sight free for her family members who watched the glass play from the seating group. She had a youthful smile on her face."Isn't it a beautiful technology." The color painting's nanotechnology brings movement into the legendary moments of the revolution. The only energy source the show needs is the afternoon sun. The 'screens' of the documentary are the glasses and in a larger size the floor for the reflections. Demian walks over the moving images which are thrown by the sun rays from the optical window glasses wide over the natural stone floor of his mothers winter garden.
"Your generation was short sighted and gullible. When you were young did you think that all people are good? Wasn't there an election with a record number of presidential candidates?" Sarah listened to her uncle's criticism and approached one of the window sceneries closer. It's a memory of the mentioned election. Sarah writes with her finger the question 'Who are they' on the glass; the names with optional link to the biographies of the depicted persons appear instantly: "Wow, many candidates!" "Yes, it was the first time that so many candidates started their own campaign rallies for the highest office in Austria," remembers Naomi. Demian was visibly annoyed. "Mother, I never understood this episode. Was the population so diverse or was it a strategic calculation, a sort of chess game to escalate the election to prevent a runoff such as in the election years before between the left and right parties?"
Naomi returns to the seating group and takes a cookie. "People remember well how the fire was stoked before the last elections and the explosive power of the clash of conflicting interests when the votes were counted for a second time." She bites into the plum-almond-cinnamon cookie. Naomi made the cookies just in the morning. It's a new recipe made with oatmeal, banana dough; the plums are from her garden. "Great autumn dessert. Demian, have you tasted the new cookies?"
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LIVE
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Cytara
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https://www.fashion.at/karinsawetz
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<title>
New series 'Dog Tales' inspired by Biennale Arte Venezia
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<content type=
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By Fashionoffice's publisher Karin Sawetz
During the last two decades, Fashionoffice has reported from time to time from the Biennale Arte Venezia. This year, the theme is 'Viva Arte Viva' and I try out another approach to the art experience. I pack it into a short series with the title 'Dog Tales'. Many of the associations are collected in the tradition of automatic writing where the subconsciousness, memories of dreams where situations that really happened are reworked - from solving to new-interpreting - in a surrealistic way and hard facts of the currently running Biennale Venezia are mixed. 'Viva Arte Viva' is the motto of Biennale Arte Venezia 2017 and the supporting idea behind the new series 'Dog Tales'.
fig.: Why is it entitled 'Dog Tales'?
Because my currently most favorite skirt is made of a fabric with the print of a prominent painting by Hondecoeter. The name sounds in German like 'dog cur'. The decision to choose the title 'Dog Tales' was accidental but is a nice reference to the importance of the reviving role of art for fashion. Viva Arte Viva! (The image on this page shows the skirt.)
Dog Tales
I first thought he is Caucasian; but when he landed with the hot air balloon I saw that Marc Cabana is an Asian. His cabana was more like a cabin and muted into a sort of Venetian gondola and then into an ordinary hot air balloon basket and back again. The balloon itself was striped in changing colors - one time it was yellow and red, then it was blue and green; but it only changed from one scene to the other and not during one. While the coloring is flexible, the appeal of the balloon is always the same: it's like taken from a vintage postcard of an original black/white photograph which is colored afterwards.
Marc Cabana stood there in his basket/gondola/cabin, sinking deeper and deeper to earth. Then the gondola muted into a ship which grew to a huge ocean liner such as the ones which outsize the prominent ensemble of the Piazza San Marco at the Mediterranean Sea.
The Piazza San Marco - probably the name giver of Marc (?) Cabana, is not far away from the Giardini where the pavilions of the world's countries are located. Yes, they could appear like cabanas! Biennale Arte Venezia was established in 1895; the pavilions were built during a time-span of several decades. Not every country has an own and even the amount of participating countries isn't the same each two years. In 2017, the theme is 'Viva Arte Viva' and as far as I have previewed contributions by several countries, Biennale Arte 2017 will become very multi-faceted. Currently, labiennale.org live streams the press conference.
Annotation: The pavilion I'm very interested in is the one by China where contemporary as well as traditional art and craft are theme. Guide to Asian pavilions
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Cytara
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<title>
"Easter Rest, Easter Silence or Easter Peace?", part 7 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
</title>
<content type=
"html">
"Easter Rest, Easter Silence or Easter Peace?"
Part 7 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
The Cytara-series 'After The Pandemic. A Fictional Story' goes on. The last story played during Christmas holidays. Now we are back in the house of grandmother Naomi who invited the family to an Easter brunch. Grandmother's stories about the revolution after the pandemic are legendary and are lessons for her daughter Joyce and granddaughter Sarah how to observe the political system for implementing a 'change' like it became a popular practice among citizens in the years already before the pandemic. The wish for the reconstruction of political and economic systems had grown out from many seeds which were set over decades. Whether it's racism respectively the inequality in society which became at last through the transparency of digital administration for everyone visual and was diagnosed as an old structural problem on it's way to the future, or climate activism which led to the development of new political and economic strategies for the protection of the environment.
Naomi hurries for placing colorful painted eggs decoratively between the exotic plants of the garden of the glasshouse. Her daughter Joyce and granddaughter Sarah are observing the elderly woman's activity from the rattan seating group. Naomi kneels on the brown, juicy earth, beside her a wicker basket with eggs, she continues her story while half of her body vanishes for her guests behind the big leaves of a tree: "During the pandemic, people forgot many of their achievements in building a better society. They simply tried to survive. Open discourses or to be precise people who thought that freedom of speech is still legally protected were prosecuted. Open discourses became actions in silence. It was during Easter… "
"Ah, has it anything to do with the ominous 'Easter Silence'? I've always speculated about the meaning behind the term. I heard it one or two times in the history lessons in school but I thought it was a measure by the government." interrupts Sarah her grandmother while playing with her mother's German shepherd named 'Sweetie.' "That's right my dear," Naomi stands up and takes a seat at a large wing chair with an embroidered backrest. She reminisces: "It was an idea by the government to name a hard lockdown with the German word 'Osterruhe' which can be translated as Easter Rest or Easter Calm and was sarcastically named by the people 'Easter Silence'. People had the impression that the government wanted citizens to be silent and accept everything. Well, it had better be named 'Easter Peace'."
Naomi underlines the last comment with a bitter note in her voice and a laugh. She enjoys her memory of the eruption of her beloved volcano 'revolutio'. "Things happen often without warning, like a sudden outbreak of a volcano. In all the silence around them, people had time to reflect upon their situation, break out of the pandemic shock and remind strategies for implementing a 'change' before it was too late. All of their material goods and their own will would had been lost."
The dog makes a jump like a sheep on the commando of Sarah. "Fine done, Sweetie." "Why are you doing this, Sarah? Even Sweetie has a right to be treated with respect. This is my dog and I have to forbid you to make him look ridiculous!" Joyce takes the animal on the leash and commands him right beside her.
"Do you think that restricting the dog's movement with a leash is more respectful than letting him make sheep jumps?" Sarah counters, "Sweetie, the Easter sheep."
"When did the pandemic become endemic?", part 8 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
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Cytara
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"When did the pandemic become endemic?", part 8 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
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<content type=
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Almost one year has passed since Naomi invited her daughter Joyce and granddaughter Sarah to her home and farm, where she plants innovative new garden fruits at the high-tech glasshouse. The architecture of the Grand Palais-like building cites late 19th, early 20th century Viennese Modernism and the style of Otto Wagner. Three generations of women who are living in the time now as contemporaries but witness the presence from different life angles due experiences collected under politically and socially constantly changing circumstances.
The Christmas surprise of one of the last meetings, the snowball AI had become already part of Joyce's life journey before the mid-40 years old even knew that there exists an especially for her from the friends of her mother developed artificial intelligence program. The AI - called after its first appearance 'Snowball' - was enabled by Joyce for Sarah and Naomi as a practical family communication tool which takes part of the conversation when asked - and sometimes without invitation.
"The pandemic ended when the majority decided that the low risk for the vaccinated makes it arguable," contributes the genderless voice of Snowball simply summarizing the calculations of pandemic facts from the history databases from countries around the world to the question of Sarah when the pandemic became endemic.
Today, the three women meet for breakfast at the orangery of Naomi's house. It's 8.00 o'clock in the morning. The homey left wing of the large glasshouse is filled with the smell of coffee, fresh bakery and the fruit notes of the bakeries' warm fillings such as the powidl-like (Austrian word for plum jelly) but very fluffy cream from a plum-fruit-creation by Naomi. Joyce's dog Sweetie is outside in the garden, playing with its new dog sitter drone.
"What happened with all the collected data such as from mobility tracking during the lockdowns and the massive control measures with the health passes, I think they were called Green Passes?" asked Sarah while observing with concern the German shepherd's play with the drone; it's not the first - expensive - drone of Sweetie. "Snowball is the best source for answering your question," recommends Naomi who is just coming back from the kitchen bar of the side-wing, carrying a tablet with a coffee porcelain service in organic design with filigree 3-dimensional green-leaves decoration.
The kitchen bar is moveable and she could have positioned it closer to the table. But that's Naomi - and balancing fine porcelain on the tablet is one of grandmother's self-determined challenges. "Snowball, have you heard! What has my mother done during lockdown?" Joyce laughs. "Snowball, seriously. Which data about Naomi are available in databases from that time?" The answer comes promptly: "Thanks to Naomi and her friends, the data entries were deleted." Sarah turns her head to the breakfast table and looks at Naomi who just places the coffee cups and pot, "Cool".
"Yes, I know. It was not legal but it was right. History has shown that people have always stood up against bad laws - and won. It's almost a natural human reaction. But we haven't deleted everything. We left necessary information in an anonymized format for scientific research. We only kept the noses of small and corrupt civil servants and administration workers out from the data. They have not only started to make money with fake vaccination certifications. The whole digital system was primitive at that time. Nothing was secured and the lower the moral level, the greater the interest in sensitive data. Medical data was turned with the pandemic into 'open books' by officials. In this regard, the law changed during the pandemic without the knowledge of the people." "How did you find out that privacy standards for citizen data and how officials secure them have changed?" asks Sarah while standing at the kitchen bar and selecting three small baked oatmeal buns which are formed after the fruits the fillings inside are made of. She chooses the plum, the strawberry, and the apple bun.
"It was pure coincidence. I never thought that this would happen as medical data were especially protected by the law. People understood that it was necessary to show the Green Pass - this was okay. But with this step, the barrier has fallen and other medical data were requested by officials - and I don't mean health authorities. I had an encounter with a body of public authorities working with a database that wasn't developed for this form of sensitive data. I recognized that the request after sensitive data had become a routine." Sarah takes her seat in the comfortable chair made of rattan from very durable palms planted once for that reason at grandmother's orangery. She bites in the apple bun and asks with full mouth: "How did you find out that the data collected during the pandemic have been improperly stored and used. What made you sure?" "I wasn't sure. It was only an assumption. But with this assumption started the investigation. That's how it goes, Sarah. It was pure luck." says Naomi, pouring her granddaughter coffee into the cup.
"Valentine's Day in times of the pandemic with relaxed measures", part 9 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
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"Valentine's Day in times of the pandemic with relaxed measures", part 9 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
</title>
<content type=
"html">
"Do you have a Valentine's Day story for us, grandma?' Sarah decorates the flowers on the large table made of raw wood with some artful inlaid work which is showing objects and landscapes. A table without technology is a rare object in grandmother Naomi's home. It's the 14th February 2079.
The tableware, fine porcelain with spring-flower decoration, is already placed for the family dinner. "Valentine's day had changed in the beginning of the pandemic such as many other traditions like dancing through the night in elegant ballrooms that weren't practiced due to new behavior schemes caused by necessary distance rules or mask regulations. It wasn't the same like before 2020. Valentine's Day was associated rather with romantic situations like those of two people who meet for fine dining in the hope to start a new relationship than with tokens of love between married couples. But Grandfather started the 14th February deflorestation of my garden already before the pandemic." Naomi laughs about the wordplay. The elderly woman brings another vase with flowers to the table; she looks at it with admiration in her eyes: "The flowers are well selected. They don't appear kitschy like the average bunch of flowers decorated with a red heart which carries love letters in gold or outfitted with an unnecessary bow from the ordinary florist. Grandfather's bouquets are partly made of waste from the glasshouse. Some of the plants in the vases are wild flowers and weed growing in the wrong places. The flower garden looks thanks to Valentine's Day being cleaned up."
"Looks like good old love," Sarah says smiling. She brings the serviettes. She doesn't roll or fold the napkins. She stages the textiles, which are embroidered with delicate lace that are matching the pattern of the porcelain, by building cones and placing them on the plates like on thrones. "You said it changed in the beginning. When did it become again the typical Valentine's Day people knew before the virus began to spread all over the world?" Naomi watches her granddaughter's sleight of hand, how she takes care of the interplay of the textile design with the tableware and the sitting positions of the guests. The table becomes under her granddaughter's direction a lively scenery. "In the second year after the first cases were registered, the rate of vaccinated people was high enough to return to 'normal' life again."
2022 was long before Sarah was born. Her parents met decade's after the pandemic. For her, it was not comprehensible that people didn't protect themselves from a disease. "What happened to the unvaccinated?" Naomi stands up and removes a withered leaf. "Many of them became severely ill; some died." "But didn't the communities help them?" "The ones with severe courses of illness got hospitalized. People have the right to decide freely about their life. And thanks to the high vaccination rate the health system wasn't burdened. The intensive care rates for the unvaccinated were manageable."
Naomi's digital assistant Germo announces with the programmed German accent voice of Sarah's former German teacher the arrival of the grandson and son. "The shuttle from the Neowise space station will land in the garden in 30 minutes."
The story will be continued.
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2022-02-13T08:52:00.013Z
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2022-02-13T16:27:01.853Z
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tag:blogger.com,1999:blog-9140346522957060448.post-4090464298497191731
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LIVE
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Cytara
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<uri>
https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
'The interrogation' - Part 5 of the series 'Bourgeois Desires' by Karin Sawetz
</title>
<content type=
"html">
Series 'Bourgeois Desires' by Karin Sawetz
Part 5: 'The interrogation'
Part 2: 'The nice wife of the policeman'
Part 1: 'The dark side of a counselor's life'
The story about the Austrian state counselor (in German 'Hofrat') is purely fictional and inspired by a dream by the series' author Karin Sawetz.
"Which political party would be a problem for you, Mr. Hofrat?" asks the woman in the interrogation room where she has to face the accusations of the Hofrat.
"None. I can continue my work (he laughs) under any possible constellation. "
"Too bad. I would need a decision-making aid where I should make a cross in a few days," laughs the policewoman's wife.
"You'll soon be laughing on the other side of your face."
"Not as long as I look at you, Mr. Hofrat, and thinking of your ideas. Do you like your work the way I think?" The counselor begins to note that the woman enjoys the game; she moves around him like a cat around the mouse; he misjudged her. Her attraction appeals to be fatal. The counselor breathes in shorter intervals, he says with a lightly outraged voice - almost as if out of breath. "A normal woman would be ashamed of what she is accused of. These allegations against you are as lawsuit pending."
"You mean a normal woman would be ashamed of what you accuse her of. Suppose I am ashamed; what would be your next step? Would you offer to a woman who is ashamed that the procedure will be stopped if she is, let's say, nice to you? And if she no longer laughs about you?" She breaks out again in laughter.
"Don't be naughty!"
"What do you want to do?" asks the woman the counselor, who still doesn't know who he wanted to bring into distress here. "We can play this for a long time, Mr. Hofrat. Now you know that I'm as you express it 'not a normal woman'. Have you ever imagined that? Have you ever imagined to have a woman like me in your life?"
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2019-09-22T06:43:54.940Z
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<published>
2019-09-22T07:00:00.002Z
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<updated>
2020-03-31T14:04:03.299Z
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tag:blogger.com,1999:blog-9140346522957060448.post-5306697450074134360
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POST
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LIVE
</blogger:status>
<author>
<name>
Cytara
</name>
<uri>
https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
Decoding art from 18th and 21st century: examples 'Apotheosis' and 'Faust'
</title>
<content type=
"html">
'Dog Tales' series, 2nd episode (1st episode)
By Fashionoffice's publisher Karin Sawetz
At 'Faust', dogs in cages are the first impressions visitors get of the performance-installation by Anne Imhof at Biennale Arte Venezia 2017. At the 'Apotheosis' by Balthasar Permoser, a figure with wings sits in front of Prince Eugene; seen at the palace Schloss Hof in Austria nearby the border of Slovakia.
 |
fig.: The image shows me at the 'Apotheosis of Prince Eugene' at the former hunting
palace Schloss Hof, one of the properties of Prince Eugene in Austria.
I wear the skirt with print of a painting by 'Hondecoeter' which gave this series its title 'Dog Tales'. (At the first episode, I've introduced with a partly surrealistic text into the new art review series). |
The two examples are significant for how society changed during the last 300 years as the content of the two artworks is the same: it's about the power of the state. In 'Faust', people are involved into the power play while at the Prince Eugene sculpture, one person plays the main role.
The two examples - the 'Apotheosis of Prince Eugene of Savoy' by Balthasar Permoser from 1721 and the installation 'Faust' by Anne Imhof at the German Pavilion at Biennale Arte Venezia 2017, have to be decoded to understand the content fully. Despite both mediate emotionally perceivable impressions of conquest, suppression, illustriousness, superiority, the whole story of the 'Apotheosis' and 'Faust' is more thrilling than probably by many viewers at first expected.
The viewer is immediately involved into both artworks. The 'Apotheosis' glorifies the life of Prince Eugene who was a successful military commander and one of the most important art collectors in the 18th century. He developed important buildings in Austria and commissioned works by artists, architects and craftsman such as for interior of his castles. Prince Eugene was an aesthete and personified success at his time. Left beside him sits the figure 'Fama' (means 'Fame'). Prince Eugene closes with his left hand her instrument just as he doesn't want that she uses her trombone to spread stardom-news about him. The winged figure symbolizes with the sun right beside Prince Eugene's face that his fame will last for ever. The figure at his feet is a representative for his success as military commander who brought literally his enemies under his feet.
Bringing somebody under ones' feet is even theme at the 'Faust' performance-installation by Anne Imhof. While the early 18th century 'Apotheosis' focuses on one person, the 21st century artwork throws light on democratic societies as a whole and the responsibility of the people themselves for balancing power.
At 'Faust' by Anne Imhof, the people are set into the leading roles. The visitors become part of the casting while strolling through the pavilion where the installation-performance 'Faust' happens. 'Faust' has a double-meaning and references the tragic play by Johann Wolfgang von Goethe about selling one own's soul to the devil as well as the German word for 'fist' (faust means fist) for the rough nature of humans and people as human capital in contradiction to the finance economy which operates with non-existing values.
The recently uploaded Vernissage TV video about 'Faust' leads through the German pavilion where young people in sports-streetwear are sitting and lying under the pavilion's glass floor while the visitors walk above them. Outside of the pavilion, performers sit inside and at the barriers of the dog cages.
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2017-05-18T15:43:33.477Z
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2017-05-18T16:36:00.003Z
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<updated>
2017-09-27T06:43:02.362Z
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tag:blogger.com,1999:blog-9140346522957060448.post-5535795909585859824
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POST
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LIVE
</blogger:status>
<author>
<name>
Cytara
</name>
<uri>
https://www.fashion.at/karinsawetz
</uri>
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BLOGGER
</blogger:type>
</author>
<title>
"Patience", part 2 of the new series "After The Pandemic. A Fictional Story"
</title>
<content type=
"html">
"Patience"
Part 2 of the series "After The Pandemic. A Fictional Story"
by Karin Sawetz

"Who lost the patience?" asked Sarah looking from the kitchen at the garden door such as she can't await that the guests for the afternoon tea on this Easter weekend arrive.
The grandmother arranges the plates with the cookies around the palm willow bouquet decorated with old-fashioned Easter eggs at an oval table of the rattan seating group in the glass house of the winter garden with a natural privacy protection by an old tree's branches which reach to the ground.
Granny continues the conversation from the enclosed glass veranda about the causes of the revolt after the outbreak of the pandemic. "Only few lost the patience and drifted into criminality. Most of the people used the possibilities of the new time. They had for the first time the means in their hands to be connected and to practice solidarity with enough transparency without harming privacy to secure a fair play. The revolt was not much more and not less. People protected themselves successfully from the greedy ones who used the, due to the pandemic, changed law to restrict personal freedom of the population for their own benefit. The people were degraded to serfdom-like working conditions. At that time, denunciations happened massively and the police executed house warrants excessively. Yes for sure, there were also totally crazy guys who tried to infect others with the virus or groups who thought they are genetically immune against the disease. The worst combination was the one who thought they are the carriers and at the same time immune. Running bombs!" Granny laughed.
"Yes, crazy! But overall, the population used the pandemic for a new understanding of life on earth: We are stronger connected than we thought. Humans among themselves and humans with nature." Sarah stands up from the stool at the kitchen bar and joins her grandmother at the veranda. She takes seat at one of the classic rattan chairs with beautifully made peacock backrests. The winter garden is generously built from the house into the garden and adjunct by a passageway through a glass tube with an extensively huge orangery where grandmother experiments with new fruits and vegetables. "Sarah, please bring the basket with the apples from the orangery; it's the first time that I serve them. You find the basket directly at the entrance." Sarah jumps up from the rattan chair, "When I'm back, can you tell me something about your role in the revolt?"
Just as Sarah left the veranda, the guests - a pair, a woman and a man in the age of the grandmother, entered the garden. "You come in the right time. Sarah wants me to speak about the revolt and the role I played." The man dressed in comfortable sand colored chinos and blue-green pullover says amused: "Naomi, your role in the revolt interests me since fifty-seven years!" "Martin, this is a serious question." says the female guest with half-earnest mimic. They laugh. "No, seriously. We have overcome the pandemic and used the time wisely to change our lifestyle, that's important," Naomi turns her head as Sarah enters the winter garden with a basket full of red-green apples, "Ah well, here you are Sarah. You know our guests, Ann and Martin? They will provide some anecdotes."
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2020-04-09T15:03:02.968Z
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<published>
2020-04-09T15:55:00.002Z
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<updated>
2020-04-15T14:32:42.649Z
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<blogger:filename>
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tag:blogger.com,1999:blog-9140346522957060448.post-6411642194876399619
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POST
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LIVE
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<name>
Cytara
</name>
<uri>
https://www.fashion.at/karinsawetz
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<blogger:type>
BLOGGER
</blogger:type>
</author>
<title>
The sheep's illumination is a fake!
</title>
<content type=
"html">
by Karin Sawetz, publisher Fashionoffice
 |
fig.: The picture shows me standing in front of an island with grazing sheep. The purple rays appear as if the sheep get illuminated. A friend shot the photo with my smartphone. |
The sheep's illumination is actually fake, as the purple unearthly rays at the image on this page were produced by dirt - such as fake in general is often produced by dirt. No question, fake can have a seductively nice appeal what makes it more difficult to resist.
I can imagine the consistency of the purple rays producing camera lens' dirt; it's probably a texture mixed from my lip gloss and hand cream. The beauty products are everything else than dirty but on the place where they had landed they were changing reality into an unreal, dream-like picture.
The same happens at 'dirty campaigning' with reality. The ingredients aren't dirty but through the way they are communicated, a greasy information soup is cooked to manipulate people - in the case of party politics, the soup is cooked to damage the rival. It's like putting a spell on somebody who can hardly fight against the staged dirty impression of his or her image in public. And it's harder to correct the manipulated image when people act like sheep and move with the horde - even when the way leads to the abyss.
Currently around two months before the next legislative election, Austrians experience 'dirty campaigning' as established method in politics. I can imagine that until the election day on 15 October, the country's journalists will have a close eye on manipulation through 'dirty campaigning'. Although it's like a fight against wind mills as we all know that even untruth communicated in gossip talk can change the view on others. Dirt has a good adhesion quality in the memory!
In fashion, users know thanks to journalism that many of the spread beauty pictures are reworked and retouched. For extending the perception and enhance the reality-centredness (with the aim to prevent anorexia or beauty mania) of media users and consumers, editorial stories or film documentaries show the real life, people and work behind glamorous catwalks, glossy magazine pictures and production sites without diminishing the shine and the entertainment qualities of the fashion industry.
The fashion scene is often named 'shark-business'; but it's harmless compared to politics where manipulative negative campaigns run personally against rivals!
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2017-08-20T14:31:29.396Z
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<published>
2017-08-20T14:53:00.004Z
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<updated>
2017-08-20T19:34:44.836Z
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<blogger:filename>
/2017/08/the-sheeps-illumination-is-fake.html
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<entry>
<id>
tag:blogger.com,1999:blog-9140346522957060448.post-6604581224498893983
</id>
<blogger:type>
POST
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LIVE
</blogger:status>
<author>
<name>
Cytara
</name>
<uri>
https://www.fashion.at/karinsawetz
</uri>
<blogger:type>
BLOGGER
</blogger:type>
</author>
<title>
Building Bridges!
</title>
<content type=
"html">
By Fashionoffice's publisher Karin Sawetz
Building bridges, celebrating humanity are the central messages of Easter. But who needs a weekend like the last except the contemplation and celebrations on Holy Saturday (Karsamstag) and Easter Sunday?
I can't remember an Easter weekend with such an accumulation of crucial political events like in 2017. On Saturday, the whole world looked anxiously at the parade in Pyongyang, North Korea and listened bewildered the discussions about nuclear weapons in context with inter-state provocations and revenge. And then on Sunday, people who consumed global news about the election results concerning the referendum in Turkey became aware that an ambitious partner of Europe is building new bridges; bridges that lead into another direction.
And in between the events in North Korea and Turkey, a bus convoy was hit by a bomb attack nearby Aleppo in Syria and killed more than 60 children - in sum more than 120 people. Horror news from Syria are almost a daily routine - and it seems that nobody, even not the states with the most powerful military equipment and specialists can stop it.
Some days ago, the new abbreviation MOAB (Mother Of All Bombs) appeared in media. Now, even the ones who aren't interested in war weapons know something about military decisions. This isn't a critical statement; it's positive that even such decisions are communicated publicly. The world has grown together and people are interested in incidents which happen outside of their homeland.

Growing together and homeland are also keywords in the case of Turkey. Not only Turkish citizens who are living in their own country, even many expats voted at yesterday's referendum and fixed the future of the state which is located in between Europe and the Arabic world. More than 70% of the votes of Turks who are living in Austria favored the winner. The number opened at once the discussion about integration and what went wrong that one group prefers an absolutely other society than Austria stands for. I think this attitude surprised also the ones who confused many during the last years with the meaning of 'multi-cultural society' as a form of living together in one society despite other basic rules and basic values - basics which are the foundations of our legislation.
I'm curious to see the impact of the decision of so many Austrian Turks on the Austrians' skills to build bridges between cultures.
fig.: The image shows me at a wooden bridge in a garden nearby Vienna. Building bridges is an important mission of my work as journalist. At Fashion.at (first and most important domain of Fashionoffice), we are working since more than 20 years on a better understanding of the country's traditions and value systems through the communication of the people's output in design, creativity and art for the mediation between cultures. That's even the reason why the content is published since 1996 in English.
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2017-04-17T14:02:58.094Z
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2017-04-17T14:15:00Z
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<updated>
2017-04-18T07:25:53.628Z
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tag:blogger.com,1999:blog-9140346522957060448.post-6810444450419956612
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POST
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LIVE
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<author>
<name>
Cytara
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<uri>
https://www.fashion.at/karinsawetz
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BLOGGER
</blogger:type>
</author>
<title>
Austria Insight: Double Meaning, Legal Rights and the upcoming Austrian Legislative Election
</title>
<content type=
"html">
The appearance of double meaning in context with legal rights is normally not healthy for a society but in the following case, it opens the view on the legal system from two perspectives with the almost pedagogical intention to make aware that the people are responsible for the system - and that nobody can wash his or her hands completely in innocence when an inhuman or unfair law is executed.
Where I made this experience? It was last Saturday in Lower Austria at the exhibition 'Alles was Recht ist' at Schloss Pöggstall (alleswasrechtist.at). 
The title 'Alles was Recht ist' can be read from two angles: the one is in the meaning of 'Everything about justice' concerning court, law, punishment, imprisonment,... ; the other reading references a typical Austrian saying which expresses embarrassment about morally unfair incidents backed by law. The exhibition is divided into 5 chapters. It begins with the law book 'Schwabenspiegel' from the 13th century and ends with the chapter about today's actively participating society in a staging which includes interactive installations where visitors can anonymously leave the own opinion about currently discussed themes such as security and online observation. In the middle of the tour at the 3rd chapter, visitors will be confronted with Austria's nearer history: the NAZI-regime, the responsibility of the people as well as the legal and social discussion about National Socialism.
Well, Austria has changed during the last around 80 years and the National Socialists of the 1930ies/40ies can't be compared seriously with the currently active parliament parties - but on 15 October at the next legislative election, it's up again in the hands of the Austrians to choose their managers of the legal system and the ones who have the executive power in the country which faces challenges (digitalisation of work, migration, climate,...) no generation ever had experienced before.
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2017-07-31T09:48:48.188Z
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2017-07-31T09:50:00Z
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2017-07-31T10:25:04.110Z
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<blogger:filename>
/2017/07/austria-insight-double-meaning-legal.html
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LIVE
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<author>
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Cytara
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https://www.fashion.at/karinsawetz
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BLOGGER
</blogger:type>
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<title>
"Kitchen talk", part 1 of the new series "After The Pandemic. A Fictional Story"
</title>
<content type=
"html">
"Kitchen talk"
Part 1 of the series "After The Pandemic. A Fictional Story"
by Karin Sawetz

"There will come the day we have forgotten to remember how the revolt started and the names of the ones who had to carry the weight of others' guilt. Many will say nobody was guilty and that it was the coronavirus which ruined first the life of the weak middle class and worsened the suffering of the poor, before the revolt was started almost as a natural reflex to the greed of the ones who ruled discreetly from a shadowy network over power and money. The mass of people was breathless from the disease, the grief of the high amount of deaths made them hopeless, and the downfall couldn't be stopped early enough. The people's situation turned with new working conditions into a degraded status of mainly short-time employees with diminished rights and such a low income that the living costs couldn't be covered. When it was hard to afford living before the pandemic, with the virus outbreak the economic situation of 99% of the population drifted off finally. Haven't you learned that the mass started the revolt like a natural reflex to survive?"
"Sure. So you are giving me now a history lesson," the young woman binds her long blond naturally curled hair together such as she wanted to signal to get ready for missing no word. While taking her seat on the stool at the kitchen bar, she asks the woman who stands at a vintage oven. "Grandma, let me hear how it happened. You were once in between; literally in the epicenter of the revolt. Granny in hell's kitchen!" laughs the girl studying her grandmother who opens the door of the mid-20th century oven-like styled high-tech kitchen machine such as it would be necessary to control the baking process. The smell of almond cookies begins to fill the room. The warm scent melts with notes of green grass and meadow flowers carried from a light wind from the garden. It's a beautiful spring day in April 2077. The young woman in her short wide dress made of a creme colored light floating fabric with floral embroideries moves like a ballerina to the stove and takes elegantly one of the cookies. "It's always the same, Sarah," says the grandmother watching her with a slightly grumpy expression. "There are many examples in history how empires vanished and for the necessity to break the rules of systems." With the first cookie still in one hand, the girl opens the door of the oven. "Sarah, don't eat all the cookies before our guests arrive! I haven't raised you to be selfish person."
Granny splits up the amount of cookies in two well calculated halves on two different sized plates made of porcelain. At the smaller plate, she arranges the cookies in pyramid form. The tableware is decorated artfully with painted garden scenes like taken from a late-19th century natural history picture book. The grandmother was once an early bird in 3D printing design and one of the creative minds behind recipes for homemade printer powders recycled from waste every household produces daily. "It was a great time even when people became more and more stressed by the coronavirus outbreak. We lived at the beginning of a new era. Only few lost their patience…"
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2020-03-31T13:46:05.097Z
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2020-03-31T14:03:00Z
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2020-04-09T15:58:21.751Z
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/2020/03/kitchen-talk-part-1-of-new-series-after.html
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tag:blogger.com,1999:blog-9140346522957060448.post-6998040745137686274
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POST
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LIVE
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<author>
<name>
Cytara
</name>
<uri>
https://www.fashion.at/karinsawetz
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<blogger:type>
BLOGGER
</blogger:type>
</author>
<title>
"The Wheat & The Chaff", part 3 of the new series "After The Pandemic. A Fictional Story"
</title>
<content type=
"html">
"The Wheat & The Chaff"
Part 3 of the series "After The Pandemic. A Fictional Story"
by Karin Sawetz
"Can you remember what the Hofrat said: Now the wheat will be separated from the chaff. My god was this an ass!" Martin doesn't wait to start his first anecdote with one of his personal highlights from the beginning of the revolt. "There were these guys who provoked the population. Very consciously - with quasi criminal intent to benefit from the misery of people. He is a very good example what happened at that time. The Hofrat..."
Sarah interrupts Martin's story in the middle of the sentence: "What's a 'Hofrat'?"
"'Hofrat' was the title of a civil servant; everybody could become a Hofrat when the person was long enough in the position of a civil servant and had political contacts. And such a guy was the Hofrat; he and many others had delusions of grandeur. He tried to compromise your grandmother already before the outbreak of the pandemic. We all knew about him and were after him, very secretly but we never lost sight on him. And this was good, how it turned out later."
Naomi stands up and goes to an old looking commode. She opens the vintage furniture with a gesture. The folding doors open automatically in a surprisingly winged manner accompanied by a light composition which dims from darker green to a soft blue light. Sarah sees for the first time the inside of the old looking piece. She is once again surprised about her grandmother's style to mix vintage with playful design and technology. "Somewhere here I have preserved my notes about the incidents we observed. The Hofrat was a representative of a powerful group who thought that with the pandemic 'the wheat will be separated from the chaff'. Or with other words that the ones who had almost no chances before the pandemic had lost with the pandemic finally all their rights. Ah yes, here it is," Naomi holds a sheet of paper with the print of an article of an online daily news publication, "Do you remember this article, Ann." Naomi goes to her guest who took place in one of the rattan seats and hands out the article.
"After so many years you still have it!" Ann is surprised and continues Naomi's story with an explanation to her friend's grandchild: "Sarah, you must know that many online publications were forced to erase articles with content practicing criticism. Less powerful publications weren't even asked to erase anything. They were simply not available online - and not only single pages of a website were banned, whole domains were unavailable or were compromised due to accusation anonymously reported by officials. You couldn't find the publications, even not with the best search robots; such banned domains were literally rooted up from the net. At that time people didn't dare to even 'know' a publication that stood critical against the regime."
Martin looks saddened at Ann thinking of what happened to her when she was a young journalist; he stands up and goes to his wife, "Ann, let me see. Which article is this?" Ann hands it over to Martin. "Today is the day I have to say 'My God'. I remember this very well. To separate the wheat from the chaff wasn't an officially proclaimed strategy but it was practiced. Money was invested very generously into big companies while children of poor families hadn't even a computer at home so that they could join the education program of their schools. Over the years, lobbyists made successfully propaganda against digital learning or e-commerce. They hadn't started to deliver the content of printed school books via tablets or provided web-shop support for small businesses. Online was rather an enemy than a friend. In the pandemic, it turned out that small companies, poor families were the chaff for guys like the Hofrat."
Naomi holds up another sheet. "This one is interesting," she says, "It's about the infrastructure and where people had no or very limited access to the internet respectively no technological equipment. Many from the social housing buildings had poor connectivity. This was a big surprise. The Hofrat was by the way a representative of a party which promoted always very loudly how great they are in social activities."
"We know how good he was in social activities!" says Martin laughing. This was the keyword for Sarah who was until yet not so interested in the anecdote concerning mainly poor technical equipment or companies' struggles with digital commerce. "So the story has a sort of - politely expressed - 'high point'?" The young woman smiles. "Yes Sarah, but this peak isn't so important like the fact that people like the Hofrat always find their 'satisfaction'. The Hofrat wasn't only the bad guy because of his political will to realize the inhumane 'wheat from chaff separation' ideology."
Naomi takes one of the apples from the basket and throws it to Sarah. "The apple of seduction." Sarah catches it. "You mean the revolt was moved up because some couldn't resist the seduction of playing a new power game?" "Hard times are high times for violence - whether physical or psychological violence such as setting people unnecessarily under pressure."
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Cytara
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<title>
"Life Is Not A Rehearsal", part 4 of the new series "After The Pandemic. A Fictional Story"
</title>
<content type=
"html">
"Life Is Not A Rehearsal"
Part 4 of the series "After The Pandemic. A Fictional Story"
by Karin Sawetz
"The Hofrat… it took a bad end. He lived in the believe to be the one who decides what counts. We all have to live with the consequences of our actions of the past. The Hofrat is a good example for bad decisions based on evil intentions. It was another time and such guys like the Hofrat haven't calculated the new circumstances.The anger of the population turned the life of the ones who tried to profit or benefit from the misery of others into a nightmare." The reflections of the sunset appear as a flickering fire in grandma Naomi's eyes. "Life is not a rehearsal, never forget that. There is no second chance."
In this moment the German shepherd of Sarah's mother runs into the winter garden. "Come on Sweetie, you wild beast." Sarah takes the head of the dog with both hands into a stranglehold such as starting a fight.
Naomi adds a grumpy note to her granddaughter: "Why haven't you given the hound another name? Sweetie! What a name for this watchdog."
"I thought the name would annoy others. Obviously, the right choice," says Sarah with a wink to her grandmother and bright smile.
"Is this the result of my education?" Sarah's mother Joyce enters the scenery and kisses her child "Good girl! Never make it comfortable!"
Naomi stands up to welcome her daughter: "Which part of my upbringing went wrong?"
Joyce kisses Naomi on the cheek: "Nothing, dear mum. You are the best."
"Mother's Day is on 10th May. You are some days too early. Any reason for your visit?" asks Naomi on her way to the kitchen.
"How did I miss you! No, no other reason. Except - do you have a piece of your excellent apple cake?" Joyce looks after Sarah who started a walk with Sweetie through the garden.
Naomi comes back from the kitchen with the pastry and two coffee cups: "I have guests. They are currently at the orangery and examine my latest cultivation."
"Was the growing of the new apple variety successful?" asks Joyce while taking a cup and a piece of cake.
"Taste the cake and let me know."
Joyce loves her mother's cakes. The pieces aren't served as slices but square blocks, cubes that are wrapped at the bottom with paper-like but edible material made of the waste of apples. The cup was outfitted with playful thrills. It's one of her mother's latest design bestsellers for the 3D printer. The visual design together with the recipe for the powder won recently an award. With some additional ingredients, the apple stalk and seed paste get a marzipan flavor which matches the apple dessert perfectly.
"Who are your guests?"
"Ann and Martin. Sarah tried to find out more about my past." Naomi and Joyce laugh out loud.
"I'm following the coffee scent." Ann, still out of sight at the orangery connecting path, announces to join the round: "Why can these questions about the past bring you sisters always into a good mood? Or have you eaten from foolish apples?" Now Ann stands at the winter garden. "Naomi, congratulations! The new worm-robo-bio-mutation loosens up the earth perfectly. Is this your development?"
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2020-05-05T16:21:00.003Z
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Cytara
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<title>
Will the election campaigns in US influence Austrian strategists?
</title>
<content type=
"html">
By Fashionoffice's publisher Karin Sawetz
Austrians see the US presidential candidates probably more often than the country's own possible next president. The campaign machinery of US presidential elections is legendary and the exploration of the strategies behind belong to educational content in communication sciences. Even profane gossip such as which US star wore Hillary Clinton or Donald Trump Halloween costumes reaches the Austrians. Keyword Halloween. Halloween is a new party occasion in Austria although this time with All Saints' Day (1st November) and All Souls' Day (2nd November) is traditionally very contemplative and quiet. Both days are contributed to thoughts about deceased family members and friends. But Austrians are flexible and added Halloween with its costume parties on 31 October to the annual calendar.
fig.: The picture shows me during a walk at one of the worldwide largest cemeteries, the 'Vienna Central Cemetery' (Wiener Zentralfriedhof).
I hope that the Austrians adopt only the positive traditions from US culture because currently the Austrian presidential election appears temperate in comparison to US where - as far as it looks from here, the candidates fight with no holds barred.
In the United States, election day is on 8 November. In Austria, citizens will vote on 4 December for the new president. Very possible that the Austrian candidates' campaign machinery comes into full swing in the next one, two weeks for mobilizing voters. Whatever the political strategists are planning for the campaigns, they will have learned also from the election in US.
By the way: The 4th December is one day before 'Krampus' - one of my favorite figures in Austrian culture history. Some sources say that the Krampus figure was originally female; the Krampus witches 'cleaned up'. The typical broom is still part of the costume.
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2016-11-02T15:22:29.896Z
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LIVE
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Cytara
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https://www.fashion.at/karinsawetz
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<title>
"Peace Is a Fragile Thing", part 6 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
</title>
<content type=
"html">
"Peace Is a Fragile Thing"
Part 6 of the series "After The Pandemic. A Fictional Story"
by Karin Sawetz
The Christmas tree stands half decorated in the side hall of the three parted glass and steel building of the winter garden. "History tells us that revolutions are a constant and necessary for the development of society. Revolutionary movements are like bells who signal war in societies where the legislation stands against the changes new technologies, migration waves, climate for example bring. After years of struggling with new challenges such as digitization which reformed people's life- and work worlds, the pandemic topped the list of problems in 2020. And in 2021, we experienced how fragile peace can be."
Grandmother Naomi takes another box for storing the glass balls after the festivities. The Christmas tree decorations contain figures, houses, trees, animals. When turned upside down, snowflakes begin to trickle over the small sized stage-like displays of sceneries from theatre plays and novels from the 18th, 19th and 20th century like 'The Threepenny Opera' by Bertolt Brecht or 'Animal Farm' by George Orwell. "Look at these cute little pigs. But how ugly they turned when they misused power. It's always the same. From history we know that emancipation waves or revolutions even when only peace was the goal ended in many cases in war." Naomi's daughter Joyce reaches out for another glass play: "I like the snowflakes inside. Isn't it an invention from a Viennese technician who developed snow globes as a side product on his search for a better light solution for surgeries at the end of the 19th century? I think I have read about it recently in a historical magazine. Which play or novel inspired this artwork?" Joyce turns the decoration such as she tries to find the answer on the bottom. The flakes begin to trickle. "What's that? The flakes form words!"
Naomi comes nearer. Joyce has never before seen her mother surprised. "None of the balls have ever done that before. In the 2020ies some of my friends experimented with AI and implemented new technologies into inconspicuous objects like home accessories as hidden messengers to next generations." Naomi smiles. "So they've also brought such a hack into my house. But the ball is obviously programmed to show its message only to you. Joyce, do you see? When I come nearer, the words melt. I will leave you now alone with the messenger." Naomi walks from the festively decorated side wing to the middle hall of the winter garden.
Joyce keeps her body at a distance from the ball as if it were a potentially dangerous AI trojan. Only her forefinger touches slightly the glass surface - the scene looks like a remake of Michelangelo's Creation of Adam. "Can you hear me or do you react to my touch?" The ball forms from snowflakes the word "BOTH". "Are you equipped with audio features for speaking with me?" The ball shows "YES." Joyce tries a simple command "Enable audio." "Hello Joyce, my name is Snowflake." Joyce laughs ."Snowflake, hello. You have a message for me?" "You have the choice, Joyce. Do you wanna get the information as a linear story which can be probably boring in some parts or do you prefer the Q&A mode." "Some call me also Joy." "I like your name, Joy" "So let's start with the interactive version of the message delivery. Why have you waited so long to get in contact with anybody and why me?"
"Societies fluctuate from stable to unstable. Joyce, you were born in stable circumstances which will last very probably until your death. But your generation has already caused new circumstances with positive and negative effects on the future of society. Positive reforms and innovations often make people forget to worry about side effects that can endanger not only individual communities but also humanity and the entire planet. You were selected because of your mother. The programmers of the hidden messenger AIs were friends of Naomi, such as she told you." "So you have listened to our conversation?" "Yes, over all the years since your birth. I'm programmed to collect information about you. Today you have reached a stage of personal development which makes you capable of understanding responsibilities for future generations. You are in the middle of your lifetime and made enough experiences in the past for thinking possible futures as human being with all the implications AI can't."
"So the AI in the ball isn't the only hidden device in my private sphere." "Joy, I've improved my expressive skills over the years for becoming more 'human'. Can I enable the advanced expression library for audio communications data access?" "Okay Snowflake, enable the extended expression library." "Hahahaha" "Oh my God - don't you have a politeness routine?" "My politeness routine is currently on the level 'Best Friend' following the motto 'Truth and Heart'. Shall we change into another level." "No, currently not. But we will see."
"Mam, who is your guest?" Sarah, Joyce's daughter enters the room. "I heard you speaking." Sarah looks around and sees nobody except her mother with a snow globe in her hand. "Do I've to be worried about you when you speak with a glass ball?" Joyce laughs "Sarah listen, this is already a great story," and orders the ball "Snowflake, extend your message delivery to one additional user, my daughter Sarah." "Hello Sarah, my name is Snowflake."
"Easter Rest, Easter Silence or Easter Peace?", part 7 of the series "After The Pandemic. A Fictional Story" by Karin Sawetz
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Cytara
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https://www.fashion.at/karinsawetz
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<title>
'The nice wife of the policeman' - Part 2 of the series 'Bourgeois Desires' by Karin Sawetz
</title>
<content type=
"html">
Series 'Bourgeois Desires' by Karin Sawetz
Part 2: 'The nice wife of the policeman'
Part 1: 'The dark side of a counselor's life'
The story about the Austrian state counselor (in German 'Hofrat') is purely fictional and inspired by a dream by the series' author Karin Sawetz.
"A nice woman, friendly and yet distant, has this colleague from the group of civilian investigators at his side," thought the counselor on the occasion of a farewell party of a colleague from the municipal administration into retirement. With the typical bad city wine, the Viennese 'Schmäh' (a sarcastic humour) is well smeared to slip the way down to the terrain where the Austrians feel at home: the sexual potency showing-off. The potency show was underpinned by wordplays referencing that the structure of thinking is caused by the Austrian usage of words. Jokes such as that the word tourism means in Austrian German 'Fremdenverkehr' (translated in the sarcastic meaning as much as 'sex with strangers') or that when female colleagues retire they do nothing else than always: they are in a rest position.
The slightly embarrassed smile of the wife of the civilian investigator has provided for the counselor an additional erotic spice to the Viennese sex potency show of the employees of the municipal administration.
Her shame while he imagined her at rest position was the power kick he needed to feel his manhood again. It was the first time he had direct contact with her. The Hofrat is as lawyer superior to her husband, but not directly in the team of investigators of the police unit. There are two different worlds working here together; lawyers mandate investigations while police officers are tied hands to decide for themselves.
The thoughts that went through the counselor's mind when creating pictures of him above the investigator's wife in rest position were literally the 'impetus' to his plan to use his job position for himself and to step into the life of a person for changing something fundamentally in the life of others by grabbing in between the legs of the woman while the man won't know if she was, is willing to betray him. Even if it's not physically, the mentally action to open the doors for the fantasies of many and officially exposing the body of the investigator's wife as a public good is for the more intellectually driven 'Hofrat' - such as he is called by his colleagues, the essence his highest sexual satisfaction is made of. "Come on in and enjoy the Viennese potency show!" the Hofrat smiles discreetly.
This gentle, warm-hearted wife of the colleague from the police unit was an ideal target person for testing if it's possible to destroy a marriage and perhaps even initiate a violent act with the means of the Austrian law. Is it possible to apply a new drive to the increasing domestic violence-crimes in Austria? The counselor has already achieved a lot in his position of being a 'Hofrat'. One of his personal highlights was a quasi-identity theft by sending integration agreements to Austrian citizens. No one has ever cared for the lost souls without home. He triumphs every time when he thinks about it. The identity theft was done so well within the framework of the Austrian law that these losers now have to pay particular attention! But will he succeed such as with the integration agreement on the basis of the Austrian legal system, also with his latest plan and open the doors of this couple by an official house search even though the two aren't blamable and will he be able to destroy their lives? Will this loving marriage break up in the allegations of illegal prostitution and drug trafficking? How will the civic servant from the police unit behave when his colleagues open up to him that there are serious charges against his wife, who seems to earn some money in his absence? Well, his colleagues will tell him that their hands are tied up; they only have to execute instructions. There must be serious facts that they have to execute a house warrant. At rest position, as it's said? What will he do when the colleagues can't suppress their dirty Viennese humor?
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2019-03-17T09:10:00.001Z
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LIVE
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Cytara
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https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
'Who is the policeman's wife really' - Part 3 of the series 'Bourgeois Desires' by Karin Sawetz
</title>
<content type=
"html">
Series 'Bourgeois Desires' by Karin Sawetz
Part 3: 'Who is the policeman's wife really?'
Part 2: 'The nice wife of the policeman'
Part 1: 'The dark side of a counselor's life'
The story about the Austrian state counselor (in German 'Hofrat') is purely fictional and inspired by a dream by the series' author Karin Sawetz.
"The Hofrat is only a perverse civil servant who benefits from the system. He doesn't belong to the far-left nor to the far-right group in our justice and executive system we are observing," she says to her husband, the policeman. "So, what's your advice? Do you have any order by your department?" - "No, currently not. They reacted amused when they heard from the disgusting action of the Hofrat - a typical sociopath - and meant that the rats move on the tracks of the system's weakness across the whole country. They monitor an increasing amount of executions of search warrants. Such persons like the Hofrat are dirt and cause a sort of pollution or statistical dust where the politically motivated house searches are hidden by many inconspicuous police operations which are used internally to destabilize society or a team - such as yours."
It was obvious that the police officer doesn't feel comfortable thinking about the situation when his partners laughed about the accusations against his wife. Well, they didn't and will never know that she belongs to a secret service team which protects the state and its citizens from criminal organisations inside the justice and executive system. But he worked with these men for so long, he trusted them in dangerous operations - he can't forget their other, dirty faces they've shown him recently. The next time one secures him with a Glock (the service weapon of the Austrian police), the policeman won't get his hand off his own gun. Who knows!
"I can't understand why the algorithm can't separate the 'perverse' house searches from the politically motivated?" the police officer asks his wife, a computer specialist of the Austrian secret service and responsible for data collection and interpretation. "Because they can trick the data. In March this year, daily news papers reported about the increasing amount of house searches - in the most cases without results; do you remember? Even the official Austrian secret service BVT was attacked by a house search. Recently, they've sent again troops - very catchpenny - to supposed criminals and justified this way - it was against Nazis, many future operations; future operations against supposed criminals whose only offense is to fit into the perverse fantasies of a Hofrat, for example. As I pointed out before, the statistical dust of such, let's call it 'Hofrat'-operations shouldn't be underestimated. State attorneys don't want loose their jobs, and they don't have enough resources to check correctly the increasing amount of requests for house searches. So, the attorneys scribble their signature under any documents - better getting entangled into a corrupt system than loosing the existence! The Hofrat isn't politically motivated; my team knows about his criminal, abnormal tendencies and we have also several recordings provided by brothels and prostitutes. He was already thrown out of a brothel," the secret service agent laughs, "Yes really, he was thrown out together with a prominent media manager. The owner of the brothel sent them red wine as message that they should get drunk at home. They've abused women in a very sick way. We also know that many from inside the system fear the force of this group of men who are united, yes mutually secured by very special sexual desires - especially by the knowledge about each other's lust."
Part 4: 'Woke up!'
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2019-04-14T07:51:00.001Z
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2019-09-22T07:46:41.733Z
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Cytara
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https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
"The dog only wants to play!"
</title>
<content type=
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'Dog Tales' series, 3rd episode (1st episode - 2nd episode)
By Fashionoffice's publisher Karin Sawetz
"The dog only wants to play!" I said laughing to Marc Cabana* in my dream. The scenery was very realistic and was in difference to my common dream experiences of long duration without sudden breaks or changes to other locations. Everything happened in this realistic dream at the Giardini in Venice.
*The figure Marc Cabana appeared already in the first 'Dog Tales'-episode.
"But I don't want," says Marc Cabana standing at the dog cages of the German pavilion during Biennale Arte Venezia. He feels provoked by the critical fixing stare of the black watch dog. Who is the one who causes a security problem? Just as the dog would ask "Who has to be caged?" We are standing just at the entry to the pavilion and the installation by Anne Imhof has already hit the target! The dogs in the cages let Marc Cabana feel insecure and triggered his doubts. He is a nice guy; just like his name suggests: he loves the beach and swimming pools, he is easy. He enjoys to show his muscular body - especially when the audience is female.
"Do you want to go inside?" I tried to convince him by moving his body into the direction of the staircase.
"No, I think I don't like this installation." Marc Cabana denied by turning his head and looking down to his feet "It's oppressing to see people walking above others, looking down on them. I saw a video and I don't want to experience it."
"It's a situation how it happens everywhere today - you're walking every day through the life of others. It's your job to do so without letting them know that you're doing it. Anne Imhof shows what many people don't want to realize."
The typical Marc Cabana playful smile is back on his face and with a flash of Trump triumph empowerment he counters "Art is fake such as media!"
"Only when artists aren't well educated and badly equipped without scientific research knowledge, or when they are paid for telling what's not the truth."
"Why should artists have any research education?" Marc Cabana is a very serious civil servant. He finished the minor education program but has reached in self-education the qualification for studying law. He never lost the deficit of low cultural education. This doesn't diminish his skills to formulate contracts or to calculate the consequences of a legal move. He is a great chess gamer! But he hasn't any senses for the artistic means of expression.
"Let's take the German pavilion as example: the artist references today's society. Therefore she didn't dig in her fantasy but collected facts about circumstances which affect everyday life. Art work starts with social research; facts are the sources for the themes of art. This is the reason why you are so impressed - even when you say it's suppressing, it affects you. We are often closing our eyes for the things which surround us. The emotion which was evoked by the installation is intended and a good sign that your senses are awake."
"Why is it an intention that the visitors are emotionally moved?"
"Because we - inclusively you - are responsible for holding back others, for suppressing them. We are the society and we are nowadays in the position to fight for a fair society."
"This is the job of politicians and not ours."
"And who gives this power to the politicians?"
Marc Cabana is in doubt: "But how can I become sure that the politicians I'm going to vote for are the right ones."
"You can never be sure. It's important to look behind the scenes such as structures of political parties, the reality behind the staging, listen discussions in front of media, watch closer who stands behind the media - and even look closer who stands behind art (incl. film, theater, literature,...) which has a similar power like media as provider of objective information as well as instrument of manipulation."

Now, Marc Cabana becomes interested in his country's art presentation: "What happens at the Austrian pavilion this year at Biennale Arte Venezia?"
We walked to the Austrian pavilion. A great pavilion. In front of the house, artist Erwin Wurm planted a truck vertically. Inside the truck, visitors can go upstairs to a platform which invites to look over the Mediterranean Sea. The first association with the sculpture was the tragedy which happened 2015 in Austria nearby the Hungarian border where 71 people died in a truck. Austrians won't forget the tragedy so fast. And the invitation to look over the sea evokes associations with the migration movements from Libya to Italy which is nowadays one of the main concerns in Austrian and European politics. The artwork doesn't deliver any answers to the problem - but it makes aware.
Marc Cabana is surprised "I never knew that art is so political."
"Biennale Arte Venezia isn't Disney land. Be prepared for merciless truth. And don't expect party political campaigning. Let's go further and look out what comes next!"
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POST
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Cytara
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https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
Who or what is Cytara?
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Cytara is one of the domain names owned by Fashionoffice.org. It was once registered for continuing the virtual model 'Cybra' which was given birth in 1997; it was the year that on occasion of a tragic incident, role models and the hunt after them (keyword paparazzi) was discussed heavily. 'Cybra' was derived from the word 'Cyber' and should give place to a model which is like an avatar a carrier - in this case of thoughts about lifestyle; a carrier which can't be used easily as 'model' (in the meaning of a fixed outer form) as it changes steadily it's visual self. Cybra was in motion and spoke; well, it wasn't interactive. The domain name Cybra was already registered for a .com domain, so the decision to re-name the female figure led to 'Cytara'. But on Cytara.com, the virtual model figure never appeared; like any other existence, even a virtual figure's living is a question of financial funding. The domain Cytara.com was used in the following years as space for data and some try-outs were made to breathe life into the domain. Now, Cytara.com is at the beginning again - not as virtual model but as written text, uploaded via Blogger.com. The .com domain Cytara points to cytara.blogspot.com where in future sights on society, online, culture will be published in the style such as it was done on Blogs by Fashionoffice during the last years.
 |
Responsible publisher of the content on Cytara.com or cytara.blogspot.com is the same as on Fashionoffice.org: Karin Sawetz. |
The next blog posts will be about the currently running presidential election campaign which seems to become in Austria more a voting for political parties than the person of the president. The role of the Austrian President is in difference to the US President (only for example) all-party. The presidential election result hasn't (normally) any direct influence on the parliament or the government; it's not such an active political role. But even the Austrian President could use the power which is legally assigned to the position. And even when the head of the republic doesn't use all the power of the office, the president's lifestyle, the approach to culture will have influence on how our country will see itself and how Austria will be perceived by others. A great task! The next president will be the model for many for the next six years. Election day (in Austria) is the 4th December.
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2016-10-27T09:14:14.983Z
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2016-10-27T09:44:00.003Z
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2016-10-27T10:31:46.863Z
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POST
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LIVE
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Cytara
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https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
'The dark side of a counselor's life' - Part 1 of the series 'Bourgeois Desires' by Karin Sawetz
</title>
<content type=
"html">
Series 'Bourgeois Desires' by Karin Sawetz
Part 1: 'The dark side of a counselor's life'
The story about the Austrian state counselor (in German 'Hofrat') is purely fictional and inspired by a dream by the series' author Karin Sawetz.
The state counselor is a nice civil servant. He is polite, correct and never had any issues with the law. For sure not! The Hofrat is police jurist and stands for the law and for correctness. His suit attracts no attention by anyone who has sense for style; his whole appearance is uninteresting. The only thing that makes him interesting is his position at the state where people have to pay attention - if they want or not.
Probably this situation - the forced friendliness of people who are working for him, police men and police women, the servility of the ones who were impeached and had to get in contact in the one or other way with him, in combination with the defiance against the person he really is without the job, turned his psyche into a conflict which found for its manifestation a sexual venue where the Viennese Hofrat can live his darkest dreams.
As far as he kept his dreams out of his job, the Hofrat hadn't taken the criminal path. One day in the morning he woke up with a new strategy in mind to contact persons he is interested in. He doesn't like criminals but rarely gets the chance to meet others; he thinks loudly "Why not producing assumptions for impeaching people I want to get in contact with in the one or other way so that I play a role in their life?"
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2019-03-14T10:18:36.409Z
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2019-03-14T10:24:00.002Z
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2019-04-14T07:53:39.967Z
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POST
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LIVE
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Cytara
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https://www.fashion.at/karinsawetz
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BLOGGER
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<title>
'Woke up!' - Part 4 of the series 'Bourgeois Desires' by Karin Sawetz
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"html">
Series 'Bourgeois Desires' by Karin Sawetz
Part 3: 'Who is the policeman's wife really?'
Part 2: 'The nice wife of the policeman'
Part 1: 'The dark side of a counselor's life'
Part 1 to 3 of the story about the Austrian state counselor (in German 'Hofrat') is purely fictional and inspired by a dream by the series' author Karin Sawetz.
Part 4: 'Woke up!'
The 'Bourgeois Desires' were until yet a fictitious story inspired by a dream about sex and crime playing in Austria's security agent and justice scene. 'Woke up!' throws a realistic light from a very personal view on the situation in Austria how it was made generously public in the last around ten days. With this episode entitled 'Woke up!', the 'Bourgeois Desires'-series gets an essential thread spun by fate and written down in a personal note by Karin Sawetz on 25 May, published on 28 May 2019.
Personal notes by 'Bourgeois Desires' author Karin Sawetz on 25 May 2019; published on 28 May 2019 under the title 'Woke up!' as part of the 'Bourgeois Desires'-series.
Digital detox? Around two weeks ago I tried to escape from the digital news avalanches I feel like being buried each day. But no way; the Austrian government caused a political mega-avalanche I haven't experienced in my lifetime yet. Austria's government navigated the ship directly and literally to an island. Since the Austrians have passed the Ibiza-gate, the trust into political parties has reached its lowest level. Actually the whole issue can't be deeper - if it's the content of the video itself, the fact that the video was ever made or that the view into the private life of people was ever published. The only way to get clear with this whole situation (especially the privacy aspect is very sensible) is probably possible through the cathartic practice similar to Aristotle's definition used for the effects of tragedy which means playing all the roles through and trying to understand the plot.
The elements of the plot of the Austrian 'Ibiza-Scandal' aren't new: Political parties receive money from big players of the country's economy for the election race and decide later in powerful positions after the enterprises will. The second main topic is the control of powerful media. So, nothing new since humans organized themselves in democracies. But reason enough to stop my personal digital detox for observing how people react to the 'Ibiza'-videos which led in short words to the end of the government how it was sworn in after the last election.
Now more than a week after the compromising videos were published I'm far away from the desired detox condition. I feel really pissed off - more than ever! The full-time (hours long) video is two years old and like it was a bad plan of fate, it was published through German news channels at a time exactly when I was thrown from life's luck wheel into a situation which correlated with my wish to change my digital behavior. The thrown-in situation was equipped with limited access to the internet. When I heard from the videos, I needed around 15 minutes for connecting with super-fast, unlimited internet. Okay! What's wrong here at the whole campaign? For sure it's a campaign - only that nobody is quite sure about the initiators behind? Politics has become disgusting. The rotten porridge of truths about falsehoods was served some days before the elections to the European parliament. Tomorrow are the elections; I will publish this article some days later. On Monday, the Austrians will decide if the current chancellor will lead our country until the next elections in September. This article will be published when votes of the people have already shown if the 'Ibiza-Affair' had significant impact on the European Parliament election results and after the Austrian parliament has decided who and how they will govern in the next future.
'Old news!" the reader of this text might think. Does it matter? It's my personal chronicle from 25 May.
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2019-05-28T08:20:00Z
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